Lumière Print · Fine art printing & framing

Fine Art Printing for Photography and Art

Colour-managed giclée printing for photographers and artists, on selected Hahnemühle papers and canvas. From a single print to an exhibition set, we help you choose the material, dimensions and presentation that let the work speak for itself.

  • 44-inchEpson SC-P9530
  • 12 channelsUltraChrome PRO12 pigment
  • 7 surfacesHahnemühle paper & canvas
  • 3 framesmade in-house

What we make

What can we make for you?

Three ways to carry an image into a finished work, each with a distinct material and presentation decision.

Smooth and textured fine art paper samples side by side, each carrying the same mountain photograph

Paper

Photographic & fine art prints

Pigment prints on matt cotton, natural-fibre or textured fine art papers, chosen for the image rather than a default finish.

Fine-weave and coarse-weave fine art canvas samples compared

Canvas

Fine art canvas

Two Hahnemühle canvas characters: a fine, bright photographic weave and a coarser natural-white artist surface.

Painted oak, silver aluminium and deep oak frame corner samples

Framing

Framing

Painted oak, silver aluminium and 3D oak options for a finished work ready for presentation.

Smooth and textured fine art paper samples side by side, each carrying the same mountain photograph

The material

Choose the surface before the final look

A smooth matt cotton paper may preserve an understated photographic character. A heavily textured cotton paper becomes visible in the work itself. Bamboo introduces a warmer white; bright-white Photo Rag can make a different impression of highlights and contrast. Canvas changes the object and its distance from the wall.

  • 5 papers — Photo Rag® 308, Photo Rag® Bright White 310, Hemp, Bamboo, William Turner® 310
  • 2 canvases — Photo Canvas 320 and Canvas Artist 340

The print process

A print workflow built around the image

Giclée describes high-quality inkjet reproduction for fine art and photography; it is not a certificate or a promise of identical results on every material. At Lumière Print, the practical foundation is an Epson SureColor SC-P9530, UltraChrome PRO12 pigment inks, selected inkjet-coated media and colour measurement for printer, ink and material combinations.

We consider source resolution, crop, paper white, surface texture and display light alongside colour. The aim is a considered translation from digital image to physical print.

Reference display, colour measurement instrument and paper samples in front of a large-format printer

The production setup

Production Equipments

Each tool controls one link between the file you send and the print you hang.

Apple

Studio Display XDR 27-inch (2026)

Reference display for reviewing images and colour before printing.

X-Rite

i1Publish Pro 3

Measurement and ICC profiling for each printer, ink and material combination.

Epson

SureColor SC-P9530 · UltraChrome PRO12

44-inch, 12-channel pigment printer with a PrecisionCore MicroTFP head.

Hahnemühle

Fine art papers & canvas

Selected cotton, natural-fibre papers and two canvases.

Made for your project

One studio, different decisions

Image, room and viewing distance shape the production choice.

Retouching desk with a landscape photograph on screen, a test strip, ruler and loupe

Photographers

Keep a series coherent through shared paper, dimensions, tonal treatment and border decisions.

Hand holding a pencil at the white border of a fine art print beside a stack of edition prints

Artists

Translate digital or photographed work into a physical edition with a recorded production specification.

Close view of a slim silver aluminium frame corner showing its depth

Collectors

Choose material and framing with the viewing room, lighting and intended scale in mind.

Large landscape canvas print in a slim oak frame above a sofa

Interior projects

Plan visual size and frame presence for an apartment or hospitality space before production.

From enquiry to print

Know what to prepare

A few clear decisions before production make the result easier to judge.

01

Describe the work

Tell us the image, final use, desired size and quantity.

02

Choose the surface

Review suitable material and frame options with the studio.

03

Prepare the file

A full-resolution file with an embedded RGB profile; confirm crop and border.

04

Confirm the quote

Agree the specification and quote before production.

Learn before you print

Practical guides, better decisions

Start with the question you have, then bring the image into the conversation.

Illustrative fine art print studio with a large-format pigment printer and an inspection table

The method

What is a giclée print?

Understand the process, materials and limits behind the term.

Smooth and textured fine art paper samples side by side, each carrying the same mountain photograph

The material

Which paper should I choose?

Compare white point, texture and fibre against your image.

Retouching desk with a landscape photograph on screen, a test strip, ruler and loupe

The file

Is my image ready to print?

Check pixel dimensions, export format, profile, crop and border.

Lumière Fine Art Printing

Tell us what you want to print

Share the image, intended dimensions, quantity and how the work will be displayed. We can help you choose a suitable print and presentation path.

Phone
+84 90 119 3838
Email
lumiere.fineart@gmail.com
Studio
Floor 4, 17–19–21 Nguyen Van Troi Street, Prince Residence, Phu Nhuan, Ho Chi Minh City, Vietnam
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